Benjamin Skepper’s neoclassical ‘Art Rave’ immerses with L-Acoustics’ L-ISA, marking a significant moment in the convergence of art, technology, and spatial audio. Skepper, a Melbourne-based multi-instrumentalist and creative force, has long been at the forefront of blending classical tradition with electronic futurism. His recent immersive experience, Corpus Novum: Rite of Spring, showcased the potential of spatial audio to transform audience engagement.
Skepper’s approach to sound design and composition lends itself naturally to spatial audio. With over 15 years of experience in multi-channel sound, he has been exploring how cutting-edge technology can enhance the audience experience. His collaboration with L-Acoustics, utilizing their L-ISA spatial audio system, is a testament to his innovative spirit. Skepper is one of the first artists to approach L-Acoustics with a deep understanding of their brand and innovative sound solutions, highlighting the growing importance of spatial audio in the creative process.
The Corpus Novum event was a two-part experience, beginning with an immersive art dinner and culminating in an ‘art rave.’ The entire night was spatialized from start to finish, with sound technicians John ‘Watto’ Watterson and Max Jardine working diligently to create an immersive environment based on Skepper’s vision. The use of L-ISA allowed for a 360-degree sound stage, with elements moving dynamically around the space, creating a sense of depth and immersion.
This event is not just a showcase of Skepper’s artistic prowess but also a glimpse into the future of live performances and immersive experiences. As artists like Skepper continue to push the boundaries of what is possible with spatial audio, the live event sector can expect to see a shift towards more immersive and interactive experiences. The integration of technology like L-ISA into live performances opens up new avenues for creativity and audience engagement, potentially revolutionizing the way we experience live music and art.
Moreover, Skepper’s initiative to establish contrapuntal as a hub for sound, art, technology, and wellness in Melbourne underscores the growing trend of interdisciplinary collaboration. By creating a space for experimentation and radical creativity, Skepper is not only contributing to the local cultural landscape but also setting a precedent for how artists can leverage technology to enhance their creative output. This could inspire other artists and creative professionals to explore similar avenues, fostering a more integrated and innovative arts sector.
In conclusion, Benjamin Skepper’s ‘Art Rave’ with L-Acoustics’ L-ISA is a harbinger of things to come in the live event and arts sectors. As technology continues to evolve, the potential for immersive and interactive experiences will only grow, shaping the future of live performances and artistic expression. Skepper’s vision and innovation serve as a catalyst for this evolution, encouraging other artists to embrace technology and push the boundaries of their craft.
